Amiri Baraka | Visionary Poet

November 29, 2008

 
icon for podpress  Interview with Amiri Baraka [32:16m]: Play Now | Play in Popup | Download

It was a huge honor to speak with Amiri Baraka on the show. More about him from Wikipedia:

Baraka’s writings have generated controversy over the years, particularly his use of often-violent imagery directed towards (at various times) women, gay people, white people, and Jews. Critics of his work have alternately described such usage as ranging from being vernacular expressions of Black oppression to outright examples of racism, sexism, homophobia, and anti-Semitism that they perceive in his work.[9][10][11] The following is a typical example cited, from a 1965 essay:

Most American white men are trained to be fags. For this reason it is no wonder their faces are weak and blank. … The average ofay [white person] thinks of the black man as potentially raping every white lady in sight. Which is true, in the sense that the black man should want to rob the white man of everything he has. But for most whites the guilt of the robbery is the guilt of rape. That is, they know in their deepest hearts that they should be robbed, and the white woman understands that only in the rape sequence is she likely to get cleanly, viciously popped.[12]

Amiri Baraka was New Jersey’s Poet Laureate at the time of the September 11, 2001 attacks. He wrote a poem titled “Somebody Blew Up America”[13] about the event. The poem was controversial and highly critical of racism in America, and includes angry depictions of public figures such as Trent Lott, Clarence Thomas, and Condoleezza Rice. The poem also contains lines claiming Israel’s involvement in the World Trade Center attacks:

Who knew the World Trade Center was gonna get bombed
Who told 4000 Israeli workers at the Twin Towers
To stay home that day
Why did Sharon stay away? […] Who know why Five Israelis was filming the explosion
And cracking they sides at the notion

Baraka has said that he believed Israelis (and President George W. Bush) were involved in the Sept. 11 attacks, citing what he described as information that had been reported in the American and Israeli press and on Jordanian television. He denies that the poem is anti-Semitic, and points to its accusation, which is directed against Israelis, rather than Jews as a people.[14][15] The Anti-Defamation League was amongst the critics who denounced the poem as anti-Semitic.[16], though Baraka and his defenders to defined his position as Anti-Zionism.

After this poem’s publication, Governor Jim McGreevey tried to remove Baraka from the post, only to discover that there was no legal way to do so. In 2003, after legislation was passed allowing him to do so, McGreevey abolished the NJ Poet Laureate title. In response to legal action filed by Baraka, the United States Court of Appeals for the Third Circuit ruled that state officials were immune from such suits, and in November 2007 the Supreme Court of the United States refused to hear an appeal of the case.[17]

Baraka was named the poet laureate of the Newark Public Schools in December 2002.[18]

  • Preface to a Twenty Volume Suicide Note, poems, 1961
  • Blues People: Negro Music in White America, 1963
  • Dutchman and The Slave, drama, 1964
  • The System of Dante’s Hell, novel, 1965
  • Home: Social Essays, 1965
  • Tales, 1967
  • Black Magic, poems, 1969
  • Four Black Revolutionary Plays, 1969
  • It’s Nation Time, poems, 1970
  • Raise Race Rays Raize: Essays Since 1965, 1971
  • Hard Facts, poems, 1975
  • The Motion of History and Other Plays, 1978
  • Poetry for the Advanced, 1979
  • reggae or not!, 1981
  • Daggers and Javelins: Essays 1974-1979, 1984
  • The Autobiography of LeRoi Jones/Amiri Baraka, 1984
  • The Music: Reflections on Jazz and Blues, 1987
  • Transbluesency: The Selected Poems of Amiri Baraka/LeRoi Jones, 1995
  • Wise, Why’s Y’s, essays, 1995
  • Funk Lore: New Poems, 1996.
  • Somebody Blew Up America, 2001
  • Tales of the Out & the Gone, 2006

Comments

Got something to say?